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Use the feedback thread.If you feel your post or comment was wrongly removed, please contact the mods, we’ll do our best to sort it out. If you disagree with the rules, you’re always free to explain your thoughts and proposed alternative. Fuck Digidesign and their lack of interest for proper support of their products. Pro tool may be very powerful but as a company they are stuck in the early 90's.Funnily enough I received my new M-audio fast track pro in the mail today to replace an old Mbox2. I've been trying to get that Mbox2 to work properly for the past three damn years. The only way I was able to get it barely to work was:.
Turn off the laptop. Plug in the mbox in USB #2. Unplug anything else connected to all other USB ports (Even the keyboard). Turn on the laptop. Use the damn thing (MIDI doesn't work btw)When I'm done using it you think I can just unplug it? It will eventually hard lock the OS. I need to power down the laptop and then unplug it and turn on again.
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POS.15 minutes with my new interface and I'm already much happier than the 'pro' product. I assume the hardware emulation only emulates the 'dongle' part of the HD hardware, not the actual Accel cards that can run TDM plugins.
That means you'll end up with basically a version of Protools LE/M-Powered that can have more tracks.I don't really see the point in even trying this, besides the ethical considerations. The whole idea behind getting a PTHD rig is to get something that is solid and performs well under stress. With this crack, you end up with at best a cumbersome alternative to Logic Pro.If Avid is going to feel this, it is going to be more about lost PTLE sales than about serious studios getting this baby cracked.
For people who don't blink spending $2000 on a compressor, PTHD is really not that expensive to begin with. Eh, not worth it IMO. Computers are getting so fast now, latency isn't really an issue. Also, TDM plugs are way more expensive.I'm using a newish Mac Pro, 96i/o, and a RME FF800 with a Control 24. Pretty standard studio stuff. The 96i/o sounds like asshole compared to the FF800 and other converters. The Lynx Aurora 16 would be a much better choice, if you must go HD.
The Control 24 is fine, but the preamps blow.Don't get me wrong, the stuff works just fine. I like that I can hop over to another studio and pop in a hard drive and start up, but if it was my checkbook, I'd be buying about five compressors. HD3 Accel here too. My issue with host-based systems is purely power based still- the majority of material I mix is 70+ tracks, all with SSL 4000s on them. Add a bunch of Altiverbs etc etc and I am still maxing out.
Surround mixes are even worse, your instantiation count bottoms out necessitating track printing to an absurd degree. Post seems to work beautifully if I'm not doing 5.1, but even minor shit in LE is maddening on this front. All that being said, Nuendo + whatever the meanest mac out there at the mo is looking better and better. Those people are becoming rarer and rarer, however. Compare price/performance between an HD rig and a Logic/Ensemble rig. The reason to use HD is because you're getting files in HD and you might have to output files in HD and the AAF/OMF interchange between the two programs still sucks ass.I kept an MBox around for a while just so I could write my own files out of Protools to get them into Logic. Not having to hang on to bullshit M-Audio hardware for that sole task is a win in my book.